Saturday, February 29, 2020

Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets

Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading PuppetsQuay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets by Ron Magliozzi
My rating: 5 of 5 stars

The Brothers Quay are ageing, and someday, they will be subsumed into the darkness, only to emerge in their memory, their cinematic worlds, their graphic art, and books written about them - along with any residuals contained in the wires and boxes of the intrawebs. I hope to outlive them by many, many years. I also hope to enjoy their legacy that whole time. Not only to enjoy it, but to make something of it, if only in the worlds of roleplaying.

There is a strong element of the weird in the Quay's work, largely because of the presence of life where there should be no life - in hollowed-out puppets, stuffed rabbits, screws, and iron shavings. It's almost as if the trickster gods were granted power to imbue life into whatever they wished to.

On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets is a sort of lost scripture dedicated to these twin trickster gods. We learn a bit of their origins, just enough to hint at their moment of apotheosis in art school, standing before a wall of polish movie posters. We learn of their journey through graphic design, their descent into and alongside the artistic works of Bruno Schulz, Franz Kafka, Emma Hauch, Leonora Carrington, Karlheinz Stockhausen, Lech Jankowski, Michel de Ghelderode, and others. We even learn of the nectar of these gods, wines and beers that influenced them and that are hinted at in some of their works.

Two essays begin the work, "The Manic Department Store," by Ron Magliozzi and "Those Who Desire Without End," by Edwin Carels. These are insightful outsider accounts of the influences that propelled the brothers into their dark world and their navigations throughout. Then comes the mythic interview between Heinrycho Holtzmullero and "QQ" - a mystical text akin to Isaiah in its obscurity, yet revealing much that has been hidden. This, along with the dozens of illustrations of the exhibition (a sort of cryptic alphabet?) which gives the book its name, is the heart of the matter, a peek into the brains of the Brother's Quay provided by them, as if they were being interviewed by the long dead "HH". But one must ask, as one should always ask of any of the trickster god's(s') actions - can they be trusted? Are they deceiving us?

Consider me willfully-deceived.

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