
My rating: 5 of 5 stars
I studiously avoided reading reviews of this book until I was done because I (correctly) predicted there would be those who praised it as a new book of holy scripture and those who would utterly trash the work as thin and inconsequential. Neither of those two camps is right. And while I do not condone tossing a book before you've given it a fair chance (though I have utterly given up on a book or two, opinions will differ on what a fair chance is. I can see the naysayers who feel that the book is a bunch of twitter quotes strung together, and I can even see why people who went into it not expecting a philosophically-oriented book would be turned off to it (though why you would think that a book about creativity would NOT have a philosophical orientation is beyond me). That said, I lean towards the cult of those who sing this books praises. I'm not all-in drinking the Kool-Aid, but I am at the edge of the clearing watching everyone line up, considering.
If one reads the book to the end, one finds the admission:
You are you.
The work is the work.
Each person in the audience is themselves. Uniquely so.
none of it can truly be understood, let alone distilled to simple equations or common language.
And herein lies the heart of the matter. Creativity is very difficult to pin down. There are exceptions and contradictions. What works one time doesn't work the next. That's the whole point of creativity. If you're looking for an end-all-be-all truth, study Accounting. Paint-by-numbers is not creativity, and it never was. It's good practice, and one can learn principles from it, but the true teachers in creative acts are experience, intuition, and failure.
Rubin does, however, share practical ways of thinking/being for those who might be struggling through the creative process. He also shares ways to ensure that you are creating good art when you think you've got a finished product. Any writer who's been writing for a while will tell you that the most difficult part of writing is editing. And if they don't, you can bet that their work shows it. I can categorically state that my early work, even those for which I was paid good money, could stand another edit. Or two. Or ten. Here Rubin doesn't spare the rod, but reminds us of our responsibility to create the best work we can, while giving us some tools to work with.
Now many of these tools come in the last third of the book, but if one doesn't buy into the foundational principles (remember that old concept of "willing suspension of disbelief"?), then the latter parts of the book are going to be far less impactful. No, you don't have to drink all the Kool-Aid, but you have to be willing to read and observe with an open mind. If you can't at least accept, theoretically, that "art is our portal to the unseen world," then this book is not for you. But if you'll give that thought a serious chance, the rest of the book will make sense to you. Again, if you want paint-by-numbers-so-you-can-monetize-everything-with-high-productivity, you need to look elsewhere.
If you're onboard with exercising a little faith, you'll be able to grok the book. The practicum really starts with the chapter on "Seeds," about a third of the way in. From here to the end, I've marked so many passages and taken so many notes that I won't take the time to put them all (if any) into this review. I've begun marking it up (in pencil - yes, I write in my books) with marginal notes, much like the ancient rabbinical scholars used to litter a verse of scripture with their annotations. As a result, this book has become highly personal to me and will continue to do so as I revisit it. It serves as a mirror to my own creative process, revealing all of its beauty and flaws. I will gaze into this book many times in the future both for inspiration and for practical solutions when I'm stuck (and there are many methods given for how to become un-stuck in the last third of the book).
I have a handful of reference books that I keep "hot at hand" in my writing area. An old Roget's Thesaurus, Tim D. White's Human Osteology, Francis D.K. Ching's A Visual Dictionary of Architecture, and now: Rick Rubin's The Creative Act: A Way of Being.
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