Work in Progress:
Friday, December 2, 2016
New Story Beginning?
Work in Progress:
Kill 6 Billion Demons, Book 1

My rating: 4 of 5 stars
This is going to come as a shock to some of you, but, in the instance of the excellent Kill 6 Billion Demons I actually prefer the webcomic to the physical object. Yes, I am normally quite adamant in my preference for physical artifact over photons, but when I spotted this at my friendly local book store last night and picked it up off the shelf, I realized something . . . about myself . . . and my age . . . and my eyes.
I've been following Tom Parkinson-Morgan's outstanding Kill 6 Billion Demons for quite some time now. I was thrilled to hear that he was publishing the work as a physical book. "Sweet," thought I, "the ultimate edition of this awesome comic". Yes, I already knew that the art was simply amazeballs and the plot had enough twists and turns to wrest it from the often flat and uninteresting landscape of comic book storytelling. I had grown to find some degree of depth in the characters that inhabit the strange heavens/hells of Throne, including the newcomer, Allison, a mortal human pulled into a world beyond her understanding. The setting, I knew, was a hallucinatory swirl of gods (alive, dead, and dying), angels, demiurges, and devils (including Allison's reluctant guide, Cio), colored so richly that one wonders if the very ink was infused with LSD. Parkinson-Morgan's art is finely-detailed, and his sense of scope is, at times, breathtaking, especially when one sees the sweeping vistas he uses to provide a birds-eye "map" view of the environs of throne. I was thrilled to be able to hold the book in my greedy little hands and exchange debit-photons for it.
And this is where the problem of the little book comes in.
Little . . .
It's too little. And my eyes, strained by decades of reading, are not getting any better.
Simply put, though I love the idea of the physical book, I much prefer the webcomic.
I never thought I'd say that. But it must be said.
Should you go buy the book? By all means, feel free. But I didn't. For me, too many intricacies are lost without a large image on a monitor, in this case. This is a world to be explored down to the smallest details, and I can't stand the thought of missing something that I know is there merely because of dogmatic devotion to the physical page. Instead of buying the book, I am supporting the artist by donating at the website. With photon-money that the artist can spend online or transform into real paper money at his leisure.
For once, technology wins.
View all my reviews
________________________
If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Friday, November 25, 2016
Ulysses

My rating: 5 of 5 stars
What I've discovered about myself from reading Ulysses:
1. I am good for only one "major" read in a year. I had set out wanting to read this and Proust this year. Alas, I was only able to make it through Ulysses.
2. It's okay to have another along to help you out the first time through. In this case, it was Blamire's The New Bloomsday Book.
3. I realize that Joyce was, indeed, a literary genius. I can see why some writers would quit writing after reading Ulysses, as he is a master of the written word. His flitting from voice to voice and style to style without losing the narrative is proof enough. That said, there are moments of tedium, some of them many pages long, that rival and exceed even the great Moby Dick for sheer boredom. When he's on, he's on, when he's off, he's drop-dead boring . . . and no academic pretense that you want to learn something about whaling (which you really don't, let's face it) will save you this time.
4. I realize that Joyce plays domestic angst in an excruciatingly understated way. He creates excellent tension by what he does not say, as much as by what he does say.
5. The funeral/underworld scene is an astounding piece of work. I felt sadness, pity, annoyance, and laughed aloud, all at once. Such a mixing bowl of emotions in that section. My innards are all tumbled around after that, like I don't know which way is, emotionally speaking, up.
6. Anyone who coins the acronym "K.M.R.I.A" deserves a statue. Or did he coin the term? Either way, he inspired The Pogues to use it in a song, which deserves a statue in its own way.
7. Jest on. Know thyself. may be all you need to know about Joyce and the notion of fiction as autobiography.
8. I love the "sirens" section, with its sing-song rich voice, which feels like it was written in the shadow of Finnegan's Wake. It's one of my favorite places to be a brain.
9. I need to read all of Finnegan's Wake.
10. "-Tis a custom more honored in the breach than in the observance." may be the most clever pun I've ever heard. Ever.
11. I love the sections where Joyce is seemingly channeling Lovecraft, then Dunsany, then Wavy Gravy.
12. The sentence: "The heaventree of stars hung with humid nightblue fruit." may be one of my favorite sentences of all time.
13. Good golly, Miss Molly!
14. I am lost and found somewhere betwixt Dedalus and Bloom, yet unbounded by one, the other, or both, inside their circle, outside their confines, them, yet me. Joyce's words, Dedalus' and Bloom's actions, my brain, my past, my hopes, my frustrations, my feelings.
15. Yes. Yes.
View all my reviews
________________________
If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Monday, November 7, 2016
The Sandman: Overture

My rating: 5 of 5 stars
I have two confessions to make: 1) I don't like Neil Gaiman's fiction. I . . . just . . . can't. So kill me. 2) My single experience with Neil Gaiman in person left me feeling a little snubbed. Long story, but I met him at the World Fantasy Convention, where I approached him and tried talking to him, but I found him rather cold and uninterested, constantly looking for important people to talk to. I don't want to go on and on (I could) about the whole experience, but that is the summation of my feelings. I frankly didn't like him much. In fact, I think he was kind of a jerk.
So why did I want to talk to him at all, you ask? Well, in the comics desert wasteland that was the 1990s, his comic The Sandman was a bright spot in a rather dull universe. It was one of my favorite comics of that decade.
The opening story of the '90s Sandman series begins with the main character, Dream, being captured via an occult ritual. The iconic image of a black-cloaked figure wearing a gas mask lying in a fetal position, surrounded by magic sigils immediately caught my attention when I first saw it, as it caught the attention of tens of thousands of other readers. Like Morpheus, I was smitten.
The Sandman: Overture is an accounting of events in the world of the Sandman mythos that led up to this imprisonment. I hate to use the term "prequel," as that term is tainted by a couple of really bad examples of retroactive storytelling wherein the original (which occurs later, chronologically) is demeaned by the "prequel". Two movies should clearly demonstrate this: Phantom Menace, and The Hobbit. But I digress.
As I said earlier, I don't care much for Gaiman's long-form fiction. I tried Anansi Boys and just couldn't. I've dipped my toe in a couple of others, as well, but have found myself growing bored quickly and have had to move on to something else. I hear American Gods is good, and maybe I should read that someday, since part of it takes place in a setting that is a forty-five minute drive from my house.
That said, here Gaiman hits his stride. As you would expect, it's a strange story, full of subtleties and deception. Political intrigue abounds, and there is some moving pathos there, especially when the character Hope enters the picture, then exits, then reenters . . . changed, yet much the same.
But let's not kid ourselves. While you may forget all the intricacies of the story, one thing you will not forget is the art. At this point, this is the most beautiful graphic novel I have ever laid eyes on.
EVER!!!
J.H. Williams' art is absolutely stunning. At times, the illustrations will make your head spin - quite literally, if you're not willing to turn the book around a few times to follow some of the more serpentine configurations. A few fold outs invite the reader into the book - as immersive an experience as you are likely to have reading a graphic work. And Dave Stewart's colors are a roiling phantasmagorical dream in vivid color. The difference between this work and so many other graphic novels is that the illustrations and color here were designed. Not just drawn and inked, but designed, carefully. There is a craft happening here that is a ritualistic invocation of the imagination. It is a solemn, nearly worshipful thing to read this work, and utterly immersive.
It is obvious, from reading the book, that Gaiman is a much deeper person than I give him credit for. Maybe he was having an off day and needed some more familiar faces or he was sick of fans or whatever, I don't know. At the least, I can't hate him, after reading this. I might pity him, as I do Morpheus, but I can't hate him. I love this work too much.
View all my reviews
________________________
If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Saturday, October 22, 2016
The Eyes of the Overworld

My rating: 4 of 5 stars
Whereas Vance's previous volume in the The Dying Earth series was composed of several short stories, each featuring a different character, The Eyes of the Overworld focuses on one character, Cugel the Clever. Though the book is episodic in nature (each story was published separately over the course of a couple of years before being compiled in this volume), the character is consistent. And while the characters in The Dying Earth were capably presented in their individual stories, Cugel the Clever is featured in every story in this volume.
And rightfully so! The character that Vance has created here deserves, nay, needs a more lengthy format to shine. Vance is able to extrude the subtleties (if they can be called that) of his main character with this form because Cugel is, if not clever, complex. Well, he is clever from time to time or, more appropriately, cunning, but there are several times when he fancies himself much more clever than he actually is. Still, he is no clown. This presents a wonderful Wodehousian dynamic to the whole book. In a nutshell, it is rather funny throughout. The section that I will call "The Lodermulch Ruse" had me laughing aloud, and demonstrated one instance in which Cugel's ability to improvise proved brilliant. Still, his mis-steps make me think that Sergio Aragones must have read this work before penning his comic Groo The Wanderer. If anything, the title "clever" should have been reserved for Vance, not Cugel, though Vance's use of the title for Cugel shows some genius.
Cugel, caught in the act of thievery from the powerful magician Iocounu, The Laughing Magician, is forced on a quest for items of interest to Iocounu. To ensure cooperation, a small demonic, alien being named Firx is affixed to Cugel's liver. Firx, a'la the bomb implant in Snake Plissken in the movie Escape from New York, keeps Cugel "on task" by torturing his liver whenever he became distracted. This enforced quest is a sort of Grand Tour of the Dying Earth, introducing the reader to several strange peoples and customs. I was about to say "magic," as well, but in this setting, the line between magic, as thought of in most fantasy settings, and technological artifacts, as one would find in a science fictional setting, is blurred and sometimes altogether erased. There is a sense of deep time here. Not just of ancient magics, but of even more ancient technology whose creators are forever lost in the dull light of the giant red sun that once glowed bright yellow when these artifacts were first conceived.
Vance continues in the wonderful writing voice from his first volume in the series. Not too baroque or flamboyant (as, I admit, my own work can sometimes be), but with enough flair to keep one enthralled and engaged. The more I read Vance's style, the more I like it. It strikes a great balance: not too presumptuous, but not treating the reader like an idiot.
He's saved the idiocy for Cugel, and the world, whether out own or that of the Dying Earth, is better for it!
View all my reviews
________________________
If you like my writing, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Monday, October 10, 2016
MoldMother Patron AI for Mutant Crawl Classics RPG
Thursday, October 6, 2016
Glowburn Podcast Announcement
You can also access Glowburn via iTunes. If you listen to it there, please leave a rating! And be sure to tell your friends!
________________________
If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!