Saturday, March 30, 2013
Amazon, Goodreads, Questions
Monday, February 24, 2014
Dear Goodreads Authors, or, How You're Coming Across as a Whore and How You Can Stop It
I go to Goodreads primarily for the reading. Yes, I'm an author. I will tell you about my work from time to time. After all, the money I earn writing allows me more time to write, and people who read my work want to read more. It's a good arrangement. But my reason for being on Goodreads is because I love books and I love readers. Of course I like readers of my own work, but I'm talking about Readers in the general sense. I love being surrounded, both in real life and in my virtual life, by people who love to read and who like to speak intelligently about the reading they've done. My idea of Utopia is a city composed of nothing but libraries and facilities to support a population of readers in their reading and discussions about what they've read. An over-romanticized vision, I realize, but it's my ideal happy place.
Goodreads hasn't turned out to be a virtual version of my paradise. But it's pretty good. It has its problems, some of them severe enough that I have, admittedly, shunted much of my book discussion over to Booklikes. But I won't be abandoning Goodreads for the foreseeable future.
But something has happened in the last two weeks that is REALLY turning me off to Goodreads. It's something I've addressed before, but bears a revisit. I've said some of this before, but I'm here restating the case in much stronger and much more specific terms because, frankly, I'm getting pissed off at Goodreads Authors. I don't want to lay blame - maybe it results from systemic problems and lack of policing and the encouragement of bald-faced capitalistic greed, maybe not - but I do want to point out some real . . . "douchebag" . . . , yes, that's the word, douchebag things many authors are doing on Goodreads.
So, douchebags, this is for you:
So, Goodreads Author, you want to be my friend, huh? You've heard fellow authors talk about how great Goodreads is and how you can reach out to dedicated readers with minimal effort. Just by clicking friend request, you can build up a list of potential fans of your work. And the bigger the list, the better, right? Because it's all a numbers game. You want to make so many dollars, you need to sell so many copies of your self-published e-book to people, so you need so many people to feed you those dollars. Of course, you're no fool - not everyone will buy your book. In fact, only a small proportion of your Goodreads friends will actually buy your book. So you need LOTS of "friends," statistically speaking. It's all in the math, just go ask a famous internet self-publishing guru. He's got the numbers to prove it - if you write enough books and whore yourself to enough people, you can make a mint doing this stuff! He has, thousands of others have, why not you?
You know, maybe I should stop now. Maybe I should just let you keep on being an A-hole, shamelessly embarrassing yourself for the sake of your treacle-soaked dream of being a famous author. I get it: You've worked hard on this. So have I. You've had people tell you you can't do it, and you've proven you can write, despite other people's doubt in you. Me, too. You've done a lot of studying on how to write and have taken bits of writing advice and integrated them into your own writing endeavors. I hear you. You might have even spent good money, paid someone to teach you how to write at workshops, seminars, bought writing books - you've made a sacrifice to get this far. Good for you!
So yeah, maybe I'll just let you keep doing what you're doing: Acting like a douchebag, being obnoxious, perpetually peppering potential fans with reminders of how great your book is, stalking potential fans online. Really, I should just let you carry on. In fact, I should thank you. Why? Because your obnoxiousness makes it easier for me to sell my books. Eventually, readers will figure out that the invite you sent them to be a friend on Goodreads was disingenuous. You didn't want to talk books at all - you just wanted to sell a product. Goodreads isn't your community, it's your distribution warehouse. Goodreads friends aren't your friends, they're your consumers. And you? You're not even you. You're a machine. A capitalist money-making machine.
But you started writing for the love of writing, didn't you? You didn't want to turn into a capitalist money-making machine, did you? You actually enjoy writing! It's fun! And you want it to stay fun, right?
OK, I'm back on board. I'm here to help. Here are my pointers on how to avoid douchebaggery as a Goodreads Author. Pay careful attention! I've had to learn these things myself to pull myself out of the toilet bowl of douchebaggery. You can do it, too, if you want to. If you don't want to, if you are so bent on being a writing slut that you'll just spurn all of these pointers, I can't help you. Enjoy your life, but don't expect to do it with me as your Goodreads friend. And if you read this first and keep trying to "friend" me, you might receive a very direct message from me on why I don't want to be your Goodreads friend. If you want to get public about it, be prepared. But I think we can avoid all that nastiness. Sorry it's had to come to this, but this is where it's at now. This nice guy is fed up and is not taking anymore crap. So here are my rules. Ignore them to your blight, follow them to your blessing!
1) Do not try to friend me if you have 0 books reviewed. I told you up front, I go to Goodreads to read what other readers have to say about books. If you have not reviewed any books, you have nothing to say. Go do some reviews - real reviews, not some pithy one or two sentence gushes - then come back and try again.
2) Do not try to friend me if you have rated all your own books five stars. You're proud of your book, you think it deserves five stars, you want to exude confidence that your book is awesome. You're probably right. Now shut up about it. Remember that guy who used to go on and on about how cool he was and you were secretly excited when someone punched him in the nose? Or that girl who dressed herself to the nines every day, looking perfect, and looked down her nose at everyone who didn't meet her dress standards. She didn't have to say anything about your looks, you could see in her eyes that she was criticizing how you dressed. Remember when she fell down in the mud and stained her clothes and you had to turn away because you were laughing out loud at her? Well, self-5-star-proclaimer; you have become that person. Don't be that person. You may have even rated your favorite books by other authors as 5 stars. That's not enough. Put down the vanity mirror and let the book do the star rating for you. Get a 3 star review? Rewrite and make it better. That's what I did. Had to swallow my pride and fix the faults in my work. Or, as has also happened, ignore the low rater. High star ratings will get you temporary attention, but they won't get you long-term fans and won't make your writing any better. Try turning this around: learn from mistakes, write better, you will gain long term fans and 5 star reviews will come up themselves. Besides, if you really love your art, why should you care what other people think? If you love your money, then you should care. You need to decide how to balance those two loves within yourself, but if you are relying on high ratings for your self-esteem, you need counseling.
3) Compare books. This is one of the best features of Goodreads. I can click "compare books" when I'm at your page to see what likes we have in common. We don't need to match 100%. in fact, I'd be scared if we did. But I'd like to know that you and I have at least a few books in common and that we like or dislike more or less similar works. I'm going to check this every time I receive a friend request from you. Don't make me do this multiple times, or you're going to piss me off. You need to check and decide if you really want to be friends. Know that when I give something 5 stars, I truly loved it. And when I give something 1 or 2 stars, I truly hated it. Are there books in our comparison that I've rated 1 star and you've rated 5? How many? What books? Remember, we're going to be discussing books, and you don't want to pick a fight with me any more than I want to pick a fight with you. Think carefully on this before you send the friend request.
4) Be well read. If you've been on Goodreads for a few months and haven't thrown down at least a dozen ratings, I probably don't want to be friends, especially if you have zero reviews (see above). What are we going to talk about? Heck, add some books to your "to be read" pile. That way I'll know where your interest lies, at least. I'm not laying down a hard and fast rule that you need to have more books than friends (yes, many people do that explicitly to keep douchebag Goodreads Authors at bay), but you better have a pretty good backlist of books that I know so we can discuss things intelligently. Having ONLY your books in your shelves is an excellent way of pissing me off. Congratulations, you've unlocked Forrest Monster Mode.
5) Be engaged ahead of time. Send me a message before you send me a friend request. My contact information is all over my blog, which you can link to from my Goodreads profile. Twitter, Google+, Email, Tumblr, Smashwords, all are good (except Facebook. I hate Facebook). If you can't find me online, you're not trying. You're just being a lazy douchebag Goodreads Author. And no one needs more adjectives added to "douchebag Goodreads Author".
6) If I decide to be your friend, that doesn't mean it will stay that way. You'll need to interact with me from time to time. Respond to my posts and reviews, comment in the same comment strings I comment in, that sort of thing. Otherwise, I'll dump you. I check regularly for those things, and if I have one good interaction with you, I'll likely put you in my "top friend" bin, where you'll be safe for a long, long time. But don't send me book recommendations blindly. I hate that. Send it to me in a personal message. You should know me well enough that you can comfortably do that before you go recommending books to me.
There's still hope. You can do this thing. It's a lot like real work, isn't it? That's because I don't toss my loyalty around lightly. If I become a fan of your book, I'm going to tell people about it.I'm going to review it and tweet about it and that review will go up on G+ and here at my blog and on Booklikes. But you've gotta work for it by being genuine. Warning: I might become a great friend, read your book and hate it. Expect an honest, but measured review. But if you've tried to pander to me in the past by flouting my rules, then I read your crappy book, a lot of people are going to hear bad things about your work and about how you're a douchebag Goodreads Author. Oh, yes, I keep track! If you're book is good or great, I'll give it its time in the sun and write a fair review, but your douchebaggery will likely not end up in the review. But if it's crap, and you've been a douchebag, you're not going to hear the end of it for a while. Please, let's not have to add your name to the potential black list.
Thankfully, there are only a few authors who have hit my douchebag button so head on. But it's becoming more and more common. Douchebags, please stop giving us non-douchebag authors a bad name. Please stop screwing with me as a reader and, most especially, stop screwing with my readers! If they want to read your book, and you're a good author, they'll eventually find your work. In fact, I'd love to help them to do that. So don't make it hard by being a douchebag. Not at Goodreads. Not on my readers' turf.
________________________
If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Friday, March 1, 2013
Keeping it Honest on Goodreads, part iii
That said, I have a confession to make that pains me: I have, from time to time, "unfriended" people on Goodreads. In fact, I've been doing more of that lately. At one point I had over 1,000 friends on Goodreads, due to my over-enthusiasm. After a while, though, I got to thinking about the wonderful interactions, discussions, and even debates I'd participated in with a select few (by this, I mean probably somewhere around 200-300 people) and how much I enjoyed interfacing with these Goodreads friends. Then I thought about the many hundreds of people who, while sharing some of the same "likes" and taste in books, I had never really interacted with in any meaningful way. Beyond that was a tier of people, mostly self-published authors, who had friended me with, I think, the notion that it would help them market their books to me.
As an author myself, I have to walk a fine line at Goodreads. Yes, I write. And, yes, I market my books. I'll tweet about them occasionally, though not with the obnoxious frequency of many self-published authors. I prefer a more subtle approach, and maybe that's to the detriment of my writing career. Of course, writing is not my full-time job, so reaching every reader in the world is not my primary concern. Mostly, I just love writing.
At Goodreads, I am careful about how and where I mention my own work. Do I mention it? Of course. Do I direct people to it? Yes, by providing "easter egg" links in my postings. I did that in the fourth sentence of this blog post. I hope it doesn't seem to self-referential and weird that I mention it "down" here, but I wanted to make the point that many of you likely missed the link, and that's fine. I'm not about being "all in your face" about my work. If you like it, great. If not, great. No hard feelings.
Again, I was a reader before I was a writer. And I love reading and sharing my opinions about books with others, as well as enjoying others' insight into whatever books they happen to have read. When I'm at Goodreads, I am first and foremost, by a long way, a reader, not a writer.
So when I get friend requests from authors at Goodreads, I've learned to go through a vetting process. Before I outline that, let me say that I am not a fan of Goodreads users who use an arbitrary rule for screening friends. The most common one I see is: "If you have more friends than books, don't bother friending me". I understand the sentiment behind the statement. Life can be cluttered enough as it is, and this "rule" provides an easy way to keep the clutter down. But it's lazy, disingenuous, and just plain un-friendly. If I had made and enforced such a rule, I would have missed out on several outstanding Goodreads friendships that have developed with some people who have many more friends than books rated. If everyone were to enforce such a rule, then some others, because of their need to feel accepted, would falsely rate books they haven't even read in order to meet the books/friends ratio criterion. Not that I don't think that goes on anyway (I voiced my suspicion of this in my first entry about Goodreads), but the incidence of such behavior would likely skyrocket under those conditions. Furthermore, many people would miss out on many wonderful friendships if such a rule were to become the norm.
No, the books/friends ration rule is not the answer. If you're serious about fully participating in Goodreads, managing your friends requires real work, real attention, and genuineness (yes, that's a word. I just looked it up). Of course, you might prefer facebook, twitter, or Google+, and that's fine. But if your goal is to really talk books in a meaningful way with people who share your interest, without wasting your valuable time on those who don't participate in the way you'd like, you've got some decisions to make regarding those requesting your friendship or those you are considering friending.
First, have you used the book comparison tool that Goodreads provides for matching your tastes with another reader? That's the first thing I do if I suspect I'd like to friend someone or if I receive a friend request. This is almost never enough to make a decision either way, but it does provide a good starting point. If I don't share at least some measure of commonality in my tastes with the other person, how do I know whether or not to trust their opinions on books I have not read? That's not to say that our tastes need to match exactly - that's almost statistically impossible. And there are times where I've read erudite, insightful reviews of books I hate by Goodreads friends who loved the same book (and vice-versa). But overall, has the person read some of the same books that I've read, and if so, do they rate them, on the whole, similarly to me?
Of course, star ratings can seem rather arbitrary. My 3-star might not be the equivalent of yours. So it's necessary for me to go and check out the potential friend's reviews. This can be done by going to the person's profile page and looking immediately below their profile picture. Underneath that picture will be something that says "X reviews," with X being the number of books that person has reviewed. If there are 0 reviews, I really have nothing to go by. I often ask myself if those with 0 reviews really spend any time on Goodreads. Sometimes, they are new to Goodreads, so they won't have any or many reviews. Do take into consideration how long a person has been on Goodreads. For most people, you can find this information in their profile under "member since" or alongside "activity" there should be a notation showing when the person joined and when they were last active on the site. This is modifiable by the user, so sometimes this information isn't there, but that's rare.
You'll also need to determine what kind of insight you're looking for regarding listed books. Is a one-liner good enough? Or do you require more? Do you want a plot summary, or are you looking for deeper analysis? Finally, do you like the reviewer's style? I've seen some really incredible reviews, some insightful, some blazingly sarcastic, some done in the style of the book in question, and some just plain funny. I, for one, enjoy a great review like I enjoy dark chocolate, savoring it, soaking it up, and letting it carry me away - hopefully to the "my books" section where I can add the book to my "to read" pile.
Finally, there are a lot of intangibles that could go into your decision to friend or not to friend. Is the reviewer active in groups that I'm interested in? This can be ascertained by scrolling down on the reviewer's profile page to see the list of groups of which she or he is a part. Who are the reviewer's other friends, and are they people you'd like to get to know, or people you already know, on Goodreads? How often does the person do updates? Are they active? Check the quotes section on their profile page - any potential political or religious arguments in the making, based on their "liked" author quotes? And, based on their comments, whether about others' reviews, in reading/book groups, or on their status updates, is this a person you can get along with?
That's a lot to digest. It's a lot like real work. But if you're careful, you might save yourself the embarrassment of having to unfriend someone down the road. That brings up another point - you may want to make your decisions over time. I've friended some people who have just joined Goodreads and done due diligence making contact with them, liking reviews of theirs that I genuinely liked, commenting on their status updates when appropriate, etc. Then, months later, I've noticed no further activity on the part of that person. In that case, I'm likely to "ping" them again somehow in an attempt to see if they're really interested in participating. And if they're not, I might just unfriend them. I don't ever threaten people with this, nor do I let them know, I just quietly slip out the door and let them sleep, as it were. If they wake up at some point and decide to participate later on, they can find me. Or I might just peek in every once in a while to see how they're doing.
Last thing: back to authors. The danger of authors friending other authors en masse is that it can lead to what Paula Guran called "tribalism," something she noticed among small-press horror writers in a long-dead forum thread that I can no longer locate online. She pointed out the hyperbolic praise on the part of these authors for one anothers' work polluting the air waves with unwarranted online congratulatory pats on the back. The community, she said, had become self-absorbed and lacking in good, critical analysis, largely because these authors were not very well-read - they didn't know the roots from which they had grown and frequently repeated tropes and plots that had been done over many times in the past, usually with much more skill than the current bevy of copy-cats. But because these authors had not read widely or well, they thought that what their companions were presenting (some of it bordering on plagiarism) was new, original, and cool. This resulted in good, critical analysis of contemporary work being buried under the tyranny of the majority, which would be turned on those doing the analysis, those who were keeping it honest. The defensiveness of some authors and the way their friends "ganged up" on those with legitimate arguments about the quality of work at the time sometimes turned downright acidic. In the outside world, we call this "bullying" and it's not okay.
That's not to say that I see much of that going on at Goodreads, but it's there, and the potential for things going sideways is going to remain. I have confidence that Goodreads will remain good, though, so long as we remain civil, know how to pick good friends, and avoid bullying.
Sounds a lot like the lessons Mom taught me as a kid. Thanks, Mom!
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If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Wednesday, April 17, 2013
Amazon, Goodreads, Questions . . . and an answer
What does this imply, in terms of authors reviewing other author's work? Will the same restrictions be placed on Goodreads authors reviewing other authors' work, the same as Amazon has done? What assurances can we have that this will NOT happen?
What of works that are now published exclusively on a platform other than Amazon, such as Smashwords? Will the corporate interests of Amazon disallow reviews of such books?
Please take a moment to address these questions.
I was surprised, frankly, to get a direct response. I guess I shouldn't have been surprised, given how . . . well, good Goodreads has been in the past. Maybe my pessimism had let me believe the various conspiracy theories that are floating out there about how the acquisition must have already corrupted Goodreads. While more level-headed people are taking a "wait and see" approach (myself included), there are some who have run away from Goodreads virtually screaming, as it were.
So here is a measured and intelligent response from Kate Erickson, Customer Care Manager at Goodreads:
Kara
Saturday, November 3, 2012
Keeping it Honest on Goodreads, part II
But I'm suspicious (call me pessimistic) of one thing on Goodreads: I wonder how many readers have actually read the books they've claimed to read? I understand that some people use Goodreads of a catalog of what they've read, so they might not necessarily be inclined to review as many books as some of us more prolific reviewers. But I must admit that my perceptions of potential Goodreads friends are colored by the quantity and quality of reviews put out by that individual.
I actively seek Goodreads friends that 1) can point me to good books, 2) aren't afraid to point out bad books, 3) thoughtfully review at least a good portion of the books they read, 4) have reading interests similar to mine, 5) have read widely in several different genres, and 6) like to interact, rather than just give star ratings. Not all of these criteria need to be met for me to say "yes," and I don't put artificial roadblocks in front of potential friends (such as "If you have more friends than books, don't try bother friending me," which, while I understand the desire to discourage obnoxious authors from spamming you with their books, seems like the height of reverse-elitism). But I want proof of at least a couple of these criteria before I pull the trigger on reading friendship.
From this it should be pretty obvious as to why I view Goodreads readers who rate books, but don't have any reviews, with a little suspicion. Sometimes, I must admit viewing them with a lot of suspicion. This is especially true when I see reviewers who have rated hundreds (or even thousands) of books, given 5* ratings to several "difficult" books (Finnegans Wake, Catcher in the Rye, The Tunnel, Molloy, Gravity's Rainbow, you probably know the type of books I mean), yet have not written a review, or whose reviews seem like a repeat of a Wikipedia plot summary. And when I see someone give 5* to something like, say, Jurassic Park (no offense, fun book, but not one of literature's great achievements) and then give 1* to one of the books mentioned above, I want to know why. Why did Jurassic Park deserve 5* at the same time the literary greats mentioned above get 1*?
In the interest of full disclosure, I gave Catcher in the Rye 1* mostly because I hate the protagonist (just did NOT connect with Holden at all) and think the book is highly over-rated. That said, I've friended many people who've rated it a 5* book. We might disagree strongly, but if they can at least convince me that they've read it and have weighed the book's merits, I'm good with that. I've actually learned a lot from reviewers with whom I disagree, gained insights, and viewed things from points of view that I otherwise would not have even considered.
In the end, my judgement may be wrong. Maybe I see ill intent (specifically the intent to appear more well-read, more intellectual, or more populist than one really is) where there is none. Call me paranoid. Or call me diligent in trying to protect what I hope to be a safe-haven of intellectual honesty and ethical behavior. Call me a man of contradiction and sloppy logic. Smear my name all over the interwebs. But please keep it honest on Goodreads.
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If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Monday, September 17, 2012
Keeping it Honest on Goodreads
That said, I don't read to review, necessarily. While I was an undergraduate student at BYU and a graduate student at University of Wisconsin-Madison, I learned how to sap the love of books right out of a person. Take a book, any book, and give it to the person with an assignment to read the book with a ridiculously short deadline, and require that the person apply a specific type of analysis to that book in order to squeeze out the sweet academic wine that must be in the book, if the student will only look hard enough using the correct tools.
I recall one of my sweetest summer breaks. Mind you, I usually took classes through the summer in order to graduate sooner. But one summer, as an undergraduate, I couldn't find the classes I needed, so I worked and read. I read The Complete Sherlock Holmes, The Silmarillion, The Hobbit, and the three parts of the Lord of the Rings: The Fellowship of the Ring, The Two Towers, and The Return of the King - all in that order. I read them because I didn't have to, and it was glorious. I'll never forget the feeling of lusty freedom. Thankfully, it was enough of a heart-lifting experience to free up my brain to think more clearly for the rest of my college career, rather than being bogged down by the chains of academic necessity.
It was after college that I decided to write my own works. I began by reviewing a little for Tangent Online, then did a few editorial gigs (including Leviathan 3 for which Jeff VanderMeer and I won the World Fantasy Award), then, I wrote. I'm still writing.
As a young, overly-eager author, I rated my own work rather highly. I wrote it, after all. But now, I see that this was a mistake. As a reader, the thought of an author telling me how great they think their work is seems incestuous, at best. So I went back and un-rated works that I had written at Goodreads. I'll let readers figure out if they like my work or not. I will retain the privilege of rating works I have edited, however, or anthologies in which I have a story appearing. For those anthologies I have edited, I truly feel that those stories I published were the best ones available to me when I edited the anthology. I make no apology for rating "my" authors as five stars. If I didn't believe that strongly in their work, as contained in these volumes, I wouldn't have included them in the anthology. As far as anthologies containing my work go, I'm unapologetic in my assessment of other stories in the volume, though I typically shy away from including mention of my own work, except by way of letting readers of my reviews know of a potential conflict of interest. I feel that this is honest.
Why the change of heart from the young writer/Forrest to this older one? I think it has to do with the disgust that I felt when I discovered the practice of authors buying reviews of their books. Pardon my naivete, but the thought just never occurred me that someone would, or even could, do such a thing. Now, I'm not above giving free copies of a book or e-book to a potential reviewer - this is how the business operates and I'd be an utter fool not to try to leverage the good praise of a legitimate, unpaid reviewer. Duh! In fact, I've done so recently, here and here (and am game, possibly, to giving away more free e-books to those who will review the work, pending a review of the potential reviewer's past reviews). And I always encourage the reviewer to give an honest appraisal of the work, whether it's flattering or flaming.
But I find it disingenuous to pay someone to review my work. The conflict of interest there is so reprehensible, that even the smarmiest businessman out there would cringe at the thought (well, okay, obviously they wouldn't or I wouldn't be typing this blog entry).
I think this dog has bitten me, too. Not too long ago, I was looking for something in the mystery/noir/crime genre, and stumbled across several 5-star reviews of a particular book. I thought "Wow. This sounds like a great read. So many people love it. How can I go wrong?" Well, things went wrong, alright. Horribly wrong. After reading this book, I felt cheated. Cheated of my time and money. Frankly, I was pissed. I'm all for allowing people to enjoy incorrect usage, tired tropes, poor grammar, flat characters, gross generalizations about specific ethnic groups and their bathing practices, and hideous inconsistencies. That's fine. But I had to ask, after reading this book, "Did any of those who gave the book five stars actually READ the book?" Even if some of them did, I find it hard to believe that so MANY had actually read the book from beginning to end and still saw fit to give it five stars.
Now, I'm not saying that the author paid reviewers (he did give away a few e-book copies and some reviewers were honest enough to acknowledge this). I don't know, either way. But I thought about the potential for abuse here, how an author COULD pay reviewers to give their crappy book a high star rating. It could happen, and that's a shame. Unfortunately, there's really nothing to be done to enforce honest, unpaid reviews. We really have to police ourselves.
For my part, I'm going to keep on giving my honest appraisals on the books I read, good or bad, and I'm not going to feed you with BS about how wonderful my work is. You judge it for yourself. I've often heard (and believe, to some extent) that nice guys finish last, but I'm going to be a snob, take the "higher road", and stick with honesty in my reviews. I hope that others do the same, because while I hope that readers will want to read my work, I go to Goodreads, first and foremost, not as an author, but as a READER! I like what I like, I dislike what I dislike, "I yam what I yam!"
So here's to keeping it honest on Goodreads. It's my favorite place to hang out on the internet, guys. Don't soil it by spamming people with your books (outside of groups and topics specifically designated for such activities) and please don't buy in to the paid reviewer game. I don't want that crap to interfere with good, clean fun and discussions about reading, nor do I want to be the sidelong victim of those who give authors a bad name by spamming goodreads with announcements. Save that for some place else. Just don't do it. Not in my backyard!
Thanks for playing nice and see ya in the stacks!
Also see:
Keeping it Honest on Goodreads, part ii
Keeping it Honest on Goodreads, part iii
________________________
If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Sunday, December 27, 2020
2020 on Goodreads

My rating: 5 of 5 stars
2020 did not suck . . . as far as reading went. Au contraire, my methodology for limiting my "to read" shelf seems to be working. The secret is: I don't let my list get longer than 30 books. If I have 30 books on my TBR shelf on Goodreads, and I want to read another, I have to remove one. This causes me to be very careful in my pre-assessment of books. I read a variety of reviews (eschewing those with spoilers, of course) and give a good hard think to whether or not I want my "current crush" to displace something else on the list. My pickiness has paid off. I'm going to keep doing this. It also ensures that if I have had something on the list for a while, I better save up my geld and spring for that book before too long, or it might be pushed off the list by something more desirable.
To quote Devo:
Ain't it true
There's room for doubt
Maybe some things that you can do without
And that's good . . .
Another good thing is that I started the year reading Digital Minimalism: Choosing a Focused Life in a Noisy World. This set the tone for my year in many ways. I took two social media "fasts", one in February, one in December, which allowed me to read and write a lot more and focus on some projects that I had been wanting to accomplish for, in some cases, many years, including the publication of my books The Varvaros Ascensions and The Simulacra and the inclusion of a story in an anthology which I was very excited about. I was also able to spend time handwriting letters and snail mailing my favorite literary people (one of which I owe a letter, still). With my resolve hardened to spend more time in the analog world, I hit the books harder than even I anticipated.
I read so many great books that it's hard to narrow it down to my absolute favorites, but among them were definitely:
John Howard's The Voice of the Air
Benjamin Tweddell's A">http://forrestaguirre.blogspot.com/20... Crown of Dusk and Sorrow
Damian Murphy's Psalms of the Magistrate
The Journal of the London School of Pataphysics, #21>
Arthur Machen's The Hill of Dreams
Colin Insole's Valerie and Other Stories
Louis Marvick's Dissonant Intervals
If you held a gun to my head (please don't), I would probably pick Howard's work as my favorite. I won't go on about it here - go read the review (then buy yourself a copy and read the book)!
Were there disappointments? Sure. I DNF Ishiguro's The Unconsoled, and my expectations for Mark Fisher's Ghosts of My Life were probably unrealistic, going into it. But I didn't read a bad book all year. Unsuccessful? Yes. Bad? No, not really.
For Christmas, my wife bought me five books. That, added to the 15 or so on my shelf, could last all year, who knows? No, who am I kidding? I'll buy more. But only up to 30 at a time! I have my limits!
Note that many of the books on my list this year and all of my favorites listed above, are from boutique small presses. I really do believe in getting the money to the authors directly, whenever possible, and to the publication houses, as the next best thing. Especially when people are struggling, I want my money to go directly to those who are producing such beautiful works, whenever possible. Yes, they are expensive. Yes, they are sometimes difficult to get a hold of. And, yes, I do sometimes buy from that one online book distributor. But I'm trying to keep it direct, as much as possible, since I'm in a position to do so. I know not everyone can do that (did I mention that many of these books are expensive), but if you can, please support the small guys out there. They need it now, more than ever, and I'd hate to see the wonderful sort of literature they are publishing and the beautiful editions that they are producing disappear.
With that, I should be spending waaaaaay less time worrying about the news in 2021, whether because of regime change or because I'm burying my head in the sand during a social media fast (I plan on "fasting" every two weeks for a two week duration, at least for the first part of this year). Oh, and I should mention: I'm not counting Goodreads as "social media" when it comes to the fast. I'm always up for intelligent conversation (or outright goofiness) when talking with readerly friends. You guys are the best!
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Saturday, January 25, 2014
Virtual Gypsy
In some ways, I really miss getting to meet new people and see new places every couple of years like I did when I was a child. There was something intoxicating about interfacing with people who had a deep cultural background that was fundamentally different than mine. We might not even speak the same language, at least not fluently. But there were times when we were thrust together and had to work out our differences. I learned a lot from those experiences, and I credit my upbringing with giving me the ability to deal with strange circumstances and, frankly, strange people. My life is richer for it.
So this got me to thinking about my virtual life. When I was a kid, the only one in my family using anything like an internet was my Dad, who used HTML at work to communicate intelligence through the military network. But he couldn't tell us that, or he'd have to kill us . . .
But back to the subject. I've settled down, physically. But virtually, I sometimes feel like I'm all over the place. I'd like to map out where I am and what I do with my virtual presence. I'd love to know how you use each of the tools I'll describe below, as well as some others.
Facebook: I really hate Facebook. Clunky, inefficient, with conversations bleeding across lines that I would never want to see crossed in my day-to-day life. It's just not compartmentalized enough and, frankly, I do like to compartmentalize my life a little so I can focus on whatever task is at hand. I have a Facebook account pretty much to say "Hey world, I'm still here. Remember me? I was that creepy kid in high school. I'm better now." And that's pretty much the extent of the enjoyment I've gotten from Facebook. Good for connecting with old friends and relatives until they start warring with each other. Not so great for establishing new relationships with people who share your interests. Really, it's a hot mess over there in facebook land.
Google+: Ah, much better! Now I can compartmentalize and keep my annoyingly conservative relatives away from my liberal friends away from those who frankly don't care. Also, I've found that there are a LOT of role-playing gamers at G+. It's really kind of a haven for gaming geeks. I've loved the connections I've been able to make on G+ with fellow gamers. Sure, I occasionally intrude on them with a book review or a lame post, such as this one, but mostly I'm in it for the gamers. Oh, and the music lovers, too. I've discovered some great music through G+, and that's made my life richer. This is a place where I can have fun without being confused by ever-changing formats and difficult to navigate menus (*cough* facebook *cough*).
Twitter: The beautiful and the banal, the pithy and the profound. I like Twitter because it's fast-paced, I can get on for a few minutes, retweet or favorite a post, spew out 140 characters of wisdom, post a cool video or artwork, and quickly connect with others. It's like seeing that guy with the Iron Maiden shirt on walking down the street and you just smile and nod and point at his shirt and he smirks and gives you the devil sign. You know, whattup man?! There's a little too much advertising there, for my tastes, but I've stated on there several times that if I see you post 10 tweets in a row that are marketing attempts for your book or writing advice, I'm dumping you. I've dumped a few, and will probably have to do more over time. Twitter needs to be managed, or it will 1) consume your life or 2) get so convoluted and scattershot that you'll want to quit forever.
Blogger: Well, here we are. This is what I consider to be "home base". There's a lot more permanence to a blog entry than to a tweet or a G+ post. Really, everything revolves around here for me. This is where I'll send you if you really want to know more about me and want to learn it on your own time, rather than trying to chase me via Twitter.
Goodreads: I use Goodreads primarily as a reader, only secondarily as a writer. There have been some shady goings-on over there, though. A lot of great reviewers have left Goodreads as a result. This is too bad, since the functionality there is incredibly good. I've gotten a ton of great book recommendations there. I still spend time there, but not nearly as much as I did in the past.
Booklikes: Which brings me to Booklikes. This is where many of the best reviewers are. It's a refugee camp for those whose reviews were censored at Goodreads because the reviewers spoke their minds about some authors and their mediocre work, then called out Goodreads/Amazon for not only censoring some of their reviews, but posting reviews that they liked at Amazon without permission. Booklikes is newer, so not nearly as populous as GR. And you're not going to find quit the same breadth of books there as you will at GR. But the quality of interaction there more than makes up for the quantity of people enrolled.
Smashwords: I have a few novellas up for sale here and a couple of free short stories. I try to use Smashwords to redirect people to my other social media, though you're free to buy my e-books there, if you like.
Etsy: Not only is this one of the coolest places on the internet to shop, you can have some cool interactions with people here. Cottage industry meets the internet. I've discovered some very talented and very creative people here. I could drop $10K here in one night without blinking an eye. There is some great stuff made by great people on Etsy.
Tumblr: I'm new to Tumblr. Lots of cool art. My kids are gaga over tumblr. I'm so new to it that I'm still trying to figure out how to find them so I can follow them. Low on content, so far, but lots of good art. And I like good art.
What am I missing now? I looked at pinterest, but wasn't pinterested. Instagram seems to be where all the good artists hang out. There's a new book review site called leafmarks, which I might have to check out, as I hear some librarians really like it (and they are usually the best at sniffing out these sorts of things). Is there anywhere else I should be regularly
Speaking of which, I need to go put on the writing hat and do some editing on Heraclix & Pomp. See you on the interwebs!
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If you like my writing and want to help out, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Sunday, December 29, 2024
2024 on Goodreads

My rating: 4 of 5 stars
I kept my reading goal to 11 books this year because I had plans to read some BIG ones. Fact is, I got in a couple of BIG ones, but not nearly the amount I had anticipated. As always, some books came fluttering along out of thin air and grabbed me by the shirt collar (at least the idea of reading them did). Yes, Finnegans Wake is still sitting on my shelf, squatting and staring at me. And there are others I had intentions on that will have to wait for 2025. Sorry, not sorry. I read what the voices in my head tell me to read.
As far as superlatives go this far, here you go:
Book that will stick in my brain and never depart, living rent-free in my head till I die (I might call this "a classic"): Dhalgren
Book with the most surprises in the form of authors whom I've never read, but will read more of: Appendix N: The Eldritch Roots of Dungeons and Dragons
Book that will actually affect my day-to-day life in a most useful way: The Bullet Journal Method
Most stunning presentation, and the contents matched the beauty of the artifact: Cathode Love
Most elegant and profound (also living rent-free in my head): The Explosion of a Chandelier
Most intellectually challenging (and rewarding): On Poetic Imagination and Reverie
And if I took the time, I'm sure I could find or invent categories of all the other books I read this year. It was a good year of reading.
Next year, I am keeping my challenge low. I haven't decided on a number of books I plan on reading yet. I'd like to think I could read through all 22 on my TBR shelf (I have physical copies of all of them) plus the three I'm currently reading, but I am planning on doing a few re-reads this year, which will slow my consumption of new books. This is by design, as I have dubbed 2025 The Year of Simplification, and I plan on sticking with that. If you must know, some of the books I will be re-reading are: Malpertuis, The Jade Cabinet (I recently got back in contact with Rikki and am writing a handwritten letter to her now), and I will be actually doing Thousand Year Old Vampire (take that as you will, Lestat). So, I have a busy reading year ahead of me.
As for writing, look for a short story collection to come out from Underland Press this year, sooner rather than later. I'm pretty excited about this. This will collect many of the short stories that have been published by boutique publishers in South America and Eastern Europe, which are very difficult to find and incredibly expensive, once found. I am currently working on two short stories, one just about to be finished up, and another in the early stages. We shall see what else I can write this year, but I'm planning on a year of good output.
Part of the reason for my optimism on writing output is that after grousing a lot about social media and all of its issues, I am essentially withdrawing from Twitter (this actually happened years ago, though I still have an account open), Bluesky, Facebook, and Instagram. My social media of choice will be Goodreads, my blog, and handwritten letters to a select few individuals - the original social media. If you'd like to be one of the select few, message me here and get me your address. No promises, as I have a handful of "must write to" people, but I will do what I can. Since I won't be polluting my life with social media of the most banal kind (see above), I will have a bit more time to write to friends, and some of you here I do consider friends, so don't be shy, message me. And I don't expect a handwritten reply in return. I'll do me, you do you.
On to 2025!
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If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Wednesday, January 15, 2020
Digital Minimalism: Choosing a Focused Life in a Noisy World

My rating: 4 of 5 stars
A little over a year ago, I posted an entry to my blog softly decrying the place that social media and screen time was playing in my life. A few months later, as I was preparing for a trip to Europe, I vowed to go without social media for two weeks while I was away (outside of texting my kids). I was . . . mostly successful. I was on very little, far less than "normal". And my strategy of taking a notebook with me and writing every night proved successful. But I didn't drop everything all the way.
Now, as I said in the blogposts referenced above, I am no luddite. Not by a long shot. Okay, so I'm not on the bleeding edge of technology, either, but I am facile in the use of technology and catch on fairly quickly.
But I do recall a time, many years ago, when I spent far less time online and was more satisfied with life, in general. I think that the quality of my online experience has diminished a great deal since those early days. Some of it has to do with the fact that those days were the "wild west" of the web when you could code your own (admittedly crappy) web page, you had to look hard to actually find information (remember webcrawler?), and the internet was far less homogenized.
So, I decided I'd give Newport's book a read. I was leaning this direction anyway (c.f., my blog posts), and I'm not one to just swallow people's advice, but I was curious what he had to say about "choosing a focused life in a noisy world". I expected to read a lambasting of those who spend time online, a hard stance against distracting technology, a flaggelant's guide to the evils of the internet.
I was pleasantly surprised to find this was not the case at all. Newport's arguments are measured and logical in a way that isn't derisive or condescending. It can be brutally honest, at times, and a touch too ascetic for my tastes. But only a touch. There is a lot here to learn from.
Rather than go through Newport's arguments, I'd like to present what I've done already and will be doing as a result of this book. First of all, my habits on Goodreads are not changing at all. In fact, I would expect to see more action out of me, rather than less. Because reading is one of my core values, and I need to feed those core values. And I love other readers, for the most part. Goodreads, despite it's difficulties, feeds my soul.
Facebook is dead to me. Yes, I'm there, but only to see cute pictures of my grandkids. I can do without Facebook, and am barely ever on there now. I keep a presence there so old high school friends can keep in touch and for family stuff, but I am now barely ever on there. Newport's book didn't start my process of leaving, but it definitely accelerated it.
I love Twitter. I know, there's a lot to hate, but I do love it. However, I have changed my presence there dramatically. I followed about 4,000 people at one time. I've cut that down to under 1,000 and feel pretty great about that. Because now I can actually see the posts my friends make and the free static is much diminished now. I spot more articles and art that I like (loving art is another core value of mine), much of which I missed before because of all the flotsam and jetsam surrounding the really good posts.
One habit I have changed on Twitter as a result of reading Newport's book is that I no longer "like" posts on Twitter. If I really like the post enough, I'll retweet it. Even better, if I really, really like the post, I will respond to the poster directly, rather than just clicking the little heart icon. I mean, really, who remembers who has "liked" their posts? Almost no one, in the long run. But I can recall some meaningful conversations that have happened between me and others on Twitter because I chose to respond and engage in real interaction rather than just satisfying my conscience by clicking like. I value those qualitatively-better conversations more and more as I avoid hitting the like button. This has made a huge difference in how I feel inside when I go online. Sounds corny, but it's true.
Next month is February. I plan on taking the month offline except for Goodreads and blog posts. I have several blog posts that I have promised myself (hello, bullet journal) I would create, but have not. It's easier to go around liking stuff than it is actually creating stuff. And far less satisfying . . .
I plan on re-engaging for that month as a creator. I have a denim jacket I got for Christmas that I'm going to sew over with patches I've bought. I will write more. I will read more. I will practice guitar more. I will RPG more. I will, in essence, live more. I will have to, in order to avoid boredom. Or, rather, to engage with and tackle boredom again. Then I'll come back and reassess my relationship with social media. You know, in some ways I really, really miss boredom. I need to go get into more trouble.
Again, Goodreads friends need not worry. I will be here. And for the few people who actually read my blog, there will be posts. Many more posts. I've got to fill all that extra time up.
Speaking of which, I need to do a few blog posts about my trip to Europe. I took lots of pictures . . . with my phone. See? I told you I wasn't a luddite!
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Monday, December 25, 2017
2017 on Goodreads

I shattered my goal of reading 17 books in '17, but that's mostly because I did not read Proust's Swann's Way as I thought I would. I wanted to read one "large" or "monumental" work a year, and this year was going to be Proust's Opus. However, Thomas Mann's Doctor Faustus took the largest chunk of my reading attention throughout the year. I took from February 24th through November 14th to read it. The thought of reading both this and Proust was just too much. Not that I didn't enjoy Mann's book. I did, a great deal, but there are books that are a delightful sprint and those that are more of a contemplative ambulation, and Doctor Faustus was the latter. I'm glad I made that journey.
I must admit to having discovered my "groove". I enjoy a great variety of books, but there is a certain subset that I love: quiet tales of strangeness, sometimes venturing into the realms of horror, always deep in the fields of weirdness and awestruck wonder. I think I've actually bought more books than in any previous year and spent a great deal more money on many of them than in the past (getting a raise at work helped). In fact, I'm finding that I have rather expensive taste in books. Thankfully, I was paid well for some of my own writing and editing, and used some of those funds towards my expensive book addiction.
The first of the expensive books I bought and read this year was A Twist in the Eye, an handsome volume of excellent short stories by Charles Wilkinson published by the wonderful Egaeus Press. It was a great way to start the reading year!
But not all the volumes I picked up were expensive. Reggie Oliver's The Complete Symphonies of Adolf Hitler was acquired in an affordable paperback edition from the notable Tartarus Press (notable partially because of their expensive, but oh-so-worth-it hardcover editions). I loved it and have now ordered several more volumes from Tartarus (including one of those expensive and incredibly lovely hardcover editions).
Some books I got for free - at the library! Heaven's people, given the current political climate, I urge you to go use your public library and give them your support. I think I might join our local Friends of the Library in 2018. I did so years ago, in another state, and greatly enjoyed it. I think, with the kids mostly moved out of the house now, I might have time to do that again. I might not have read Atlas Obscura, I Contain Multitudes, or The Life Changing Magic of Tidying Up (which really did lead me to make some changes for the better) if it weren't for my local library. Librarians ROCK! Give them your support!
As most of you know, when I'm not reading or writing, I'm usually filling my leisure time with tabletop roleplaying games. This year I went head first into the Call of Cthulhu roleplaying game and bought and read, cover too cover, the Call of Cthulhu Keeper rulebook and the outstanding guide to gently borrowing and morphing ideas from Lovecraft, Stealing Cthulhu. And now, I am writing a Call of Cthulhu adventure. See how that happens? Read, write, repeat.
I would be remiss if I didn't mention my favorite read of the year, Jon Padgett's amazing short story collection The Secret of Ventriloquism. My thesaurus has run out of superlatives for this book. It is really something a step beyond your typical short story collection. I'll let my review speak for itself.
And you'll notice, of course, that star-heavy leaning of the books I've read this year. Lots of four and five-star reads. There's a reason for this: Last year, I vowed to cut my To Be Read list dramatically. I think at one point I had over 200 books on that list. I decided that rather than dreaming and about all the books I wasn't reading that I sort of wanted to and fretting about all the books that I think I ought to be reading, I was going to cut my list like a lumberjack on crystal meth. At first, I vowed to cut it to 100. This was difficult, but still left some books that were of some interest, but maybe not a burning interest, to me. I needed focus. So I cut it in half again.
This was a painful exercise. But, as I learned from The Life Changing Magic of Tidying Up, I didn't need the emotional clutter that came with all these unfulfilled desires, nor did I need to feel obligated to read certain books because that is what is expected of someone with my level of education (Master's degree in African History, if you must know) who reads as much as I do and hobnobs with lots of people who are very well read.
After that cut, which, again, hurt . . . I felt much better. Then I started focusing on acquiring and reading the books that were left on my list. Whenever I wanted to add a book, I had to take a look at my list and think "Okay, which one of these great books do I want to CUT from my list to keep it under fifty"? This forced me to really assess the books on my list and really question why, exactly, I wanted to read such-and-such a book. I read reviews, both on Goodreads and elsewhere, I asked myself "is it really worth spending my hard-earned money on this book", I did some self-exploration to discover what it is I REALLY love to read. Yes, there were some misses, some books that I read that didn't scratch the itch I thought they would. And I'm certain there are a hundred, maybe hundreds, of other books that I would just love that I missed. But for now, I have a method of focus and discipline that is really upping my enjoyment of reading. I feel that I've really been able to hone my ability to assess my probable reaction to a book from the outside, before I've bought it. It's not perfect, but it seems to be working pretty well, given how much I've enjoyed the books I've read this year. And maybe it's just a psychological trick. Maybe I just think I like these books better.
But if it is just a trick, so what?!? I'm really enjoying myself!
The list is currently at 41 books. I think I'll read it down to 40 and go from there. I actually have 26 of the 41 on my shelf right now, and that's about a year's worth of books or more as it is (especially considering that Proust is still hiding in that pile, waiting to pounce). So here's to a fun, fantastic year of reading in 2018, both with my chosen few and, I am certain, a few surprises around the corner.
Happy New Year!
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If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!
Friday, April 29, 2022
My Mind on My Money and My Money on My Mind*
I'm not poor. I'm not rich. I'm squarely in the American middle class, when it comes to my day-job income. For many years, though, we were living super-tight on our budget. Filling the tank with gas was a necessity, but it bordered on a luxury. We rarely went out for entertainment and we often had to tell the kids "no" when they asked for stuff that their friends might have just taken for granted.
As a result, I get skittish about spending large amounts of money. I have an allowance each month that I can spend on whatever I like (a luxury, I know) that falls in the middle of the two-digit range. If I want to buy something for myself that costs $100, I'm going to have to wait a couple of months, maybe a little more. I'm not bitter about it, in fact, I think it's a very good practice (obviously, I've been living it for many years now), but when it comes to a big personal purchase, I have to bide my time and *really* discipline myself not to spend that money, but, rather, save it up for the big purchase. I can supplement that allowance with sales of my RPG materials, and I've buckled and started a ko-fi. Occasionally, I will sell stuff on Ebay or sell a short story to help with funding, or even sell some of my books direct to readers (which I actually love to do . . . until I run out of sellable copies!) but when I want to buy something significant, I really have to think about it and I really have to choose wisely.
Often my money goes, as you can imagine, into books, whether fiction or roleplaying books. I'm pretty picky about both. And, lately, I've bought more music in physical formats. Again, though, I am very finicky about my purchases. I really don't make "impulse" buys. I just don't operate that way. This is one reason I love Goodreads so much: when I see a cover I love or hear about a potentially cool book, I go to Goodreads and try to read a few reviews from people whose opinions I respect. This hasn't always saved me from unfortunate purchases, but it's done a pretty good job of making me think through by book-buying choices.
Not long ago, I wrote a post about downsizing and upscaling my collection of . . ., well, stuff. My sentiments then still apply now, and probably even more so.
I've decided what I want from this.
Well, at least a few things:
1. A typewriter. An honest to goodness old-fashioned non-electric manual typewriter. Why? Maybe I hate myself, I don't know. Seriously, I am a kinesthetic and visual learner and writer. I always hand-write my first drafts. I can be as sloppy as I need to or want to, with no regard to anything except my ability to spew forth thoughts on paper. Then I edit as I'm typing into the computer. But what if I wanted to do a more careful edit? I think that typing on a typewriter will cause me to actually physically stop and think more, to focus. At least that's what I remember from typing as a kid (before home PCs were readily available). If you made a mistake, you had to get out corrector tape and fix it, which was a royal pain in the butt. Just like Goodreads reviews cause me to stop and think about what I'm buying, this should help me to stop and think about what I'm writing. I have several typewriters that I could live with , but there's one in particular that is *VERY* expensive and that I am absolutely lusting after. I'm not going to jinx things by linking to it, or even to the site it's being sold at because, like Highlander, there can be only one. Well, there really is only one. It will cost more than my computer. A lot more, in fact. There's only one out there (I think it's a custom job), but I really, really want that typewriter. I need to save up for this one first, which is going to mean no buying new books or LPs for a year or more. I'm hoping that no one else snatches it up in the meantime. And, no, I'm not interested in using credit to buy it. I've been in credit trouble before and, never again. This one I'll just have to scrimp and save for, and I'm willing to do it. Besides, this dovetails nicely with my desire to have more analog in my life and my desire to re-read many of the books I already own (c.f., my post on downsizing and upscaling - link above). Again, if you want to help, here's my ko-fi link, or if you want to buy a copy of my novel Heraclix and Pomp, comment below.
2. A new LP player. I love my old record player, the one I rediscovered after my parents died. But this old machine is about to give up the ghost itself. I'll probably buy something in the cheap range, so far as stereo systems go, but something that I can trust to play well and last, as well. Probably something along the lines of the 1 by one stereo system. Simple, but elegant, and hopefully built to last.
3. This one might just seem silly, but I have an antiqued mirror that I love. By antiqued, I mean burned, abused, acid-etched, artificially aged. I love it. I want another. maybe two more. This will be the least expensive of my buys and also the most frivolous. But I just love the one I have and want to surround myself with more of them. There's something darkly beautiful about the odd distortion they give to everything caught in their reflective rays. Logically speaking, I should buy these first because they are the cheapest of the three things I am saving for, but who said I play by logic? No, really, I need to discipline myself to get that typewriter (presuming it doesn't sell to someone with similar tastes and more money than me).
And there you have it, all my most recent money-grubbing desires. Now that I've committed this on the blog, I feel a stronger resolve to carry through with it (barring some financial emergency, of course).
Wish me luck! Or, better yet, buy me a ko-fi!
*Apologies to Snoop D-o-g-g, but the song I'm referring to in the title of this post is this version (which I'm guessing Snoop appreciates in his own smoove way).
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If you like my writing and want to help my creative endeavors, ko-fi me at https://ko-fi.com/forrestaguirre. Every little bit is seen and appreciated! Thank you!